![]() ![]() ?Discover new, interesting, useful, and fun apps and games?īrowse categories and App Lists that interest you to find recommendations for the best free apps and games to enhance your work, social, leisure, and personal life.Įvery app and game in the 1Mobile Market store is FREE.įollow our Facebook homepage, you will find the answer. ![]() Just run a quick and easy query in the 1Mobile Market search box on the top of the 1Mobile Market homescreen. Explore, download, and discover the perfect apps to build your mobile life!ĭownload the latest Subway Surfers game, Flappy Bird,the official Facebook and Twitter mobile apps, and all the best, hot free apps and games direct from 1Mobile Market. We’ve got recommendations for every individual, whatever your background, personality, or lifestyle. Play Battle Boom and annihilate the enemy army with superior tactics and firepower. BirdsIsle for iOS is your next match-three puzzling obsession. Why should your apps be anything but unique to you? Explore our vast collection of App Lists to find apps and games tailored to your life. Play Cyber Hunter and enjoy the next big battle royale game on mobile. 1 Mobile Market free download - SMSCaster E-Marketer GSM Standard, Wireless Communication Library C++ Developer Edition, i. 1Mobile Market is the best way to find and download the best free Android apps and games for your unique, mobile life! ![]()
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![]() I figure there are some tricks involved and it's not as straightforward as it seems (no one-click option here). To the video hardware on the Windows system, it is genuinely processing the "super resolution" and not merely changing the scaling. Note that I am seeking not for a panning screen but an effect similar to that of the first and second screen capture (notice the resolution change on the images). Would either XRandR or virtual displays be a viable option to accomplish what I'm hoping for? While writing this, I noticed this post which (tackled a different problem and) brought up using virtual display devices to accomplish a different effect. This is a screen capture of the same monitor but scaled to 3200x1800_60. Hooray!įor a more clear example of what I'm trying to accomplish, this is a screen capture of a Windows machine with a 2560x1440_144 capable monitor.Įnabling the "virtual super resolution" option allows me to exceed the resolution that the monitor is capable of. I played around with it more but the only thing I accomplished was crashing my X session multiple times. Graphical tweaks like antialiasing and Virtual Super Resolution (more on that later) can really give your frame rate a nasty hit. My monitor complained that the resolution was out of range (big surprise) and I promptly switched it back to the old resolution. Thus far, I have attempted to create a new mode (and add it to this output) similar to the following: :~$ cvt 2304 1296 I've ensured that my video card is capable of putting out the resolutions I am attempting to use. Running on the Radeon driver provided by Xorg. Click the Virtual Super Resolution tile to turn it on. This particular box is running Debian 9.1 and XRandR 1.5.0. To enable VSR within the Radeon Settings to follow these steps: Open Radeon Settings by right-clicking on your desktop and select AMD Radeon Settings. This particular setup has three 1920x1080_60 monitors but I'm only looking to accomplish this feat for a particular monitor (as in, individual settings per monitor). Being in the Unix/Linux section, I'd like to try and accomplish this on a Linux box. This seems to be a bit more commonplace in Windows systems (being built right into the Radeon Crimson driver provided by AMD). I am looking to replicate the effect of " virtual super resolution". ![]() ![]() ![]() Offers a nice set of templates and filters. Quickly create videos (cut, add music, filters, effects) and easily save and share. Just copy your video clips to your iPhone or iPad and get started.
![]() ![]() Boom even has the audacity to speak for the woman after Tupac was sentenced, when he cuts to her celebrating with her lawyer and then smirking at Tupac. Kelly’s “Bump & Grind” nights before, and Tupac is presented as sleeping in a different room when she was gang-raped by men he claimed to barely know. However, that defiance of ambiguity becomes mortifying and offensive when Boom contextualizes a controversial sexual assault case-the before, during, and after-within a biopic’s fact, in which the survivor is shown intimately dancing with Tupac to R. ![]() The soundtrack soon enough elicits more giggles than head bobs, with the movie cramming in as many songs as possible, despite having no problem skipping around a short career timeline from album to album, underestimating the creation of such pivotal songs in the process.īoom’s counterproductive answer to the flawed aspects of Tupac is to deny that very complexity and to make him a type of savior, which often makes “All Eyez on Me” only plainly terrible. I especially loved the man who played Snoop Dogg and then lip-synced his dialogue with that of the real Snoop’s voice (or it sounded very much like it). Gurira too has to work with rotten dialogue and cliche situations, but it’s the one glimmer that feels like an expression instead of a duplication.įor everyone else, including Tupac, Boom’s biopic is more concerned with information than humanity, and eventually Boom’s shallow dedication to showing us recognizable moments or outfits becomes plainly goofy. She appears throughout the movie as a force that challenges Tupac in one way or the other. But Boom's lifeless direction still taunts, like when we have to watch Shipp lip-sync to Tupac songs for ten minutes or so during a concert, or watch numerous macho confrontations play out with the camerawork of soap operas.Īlthough the movie is wholly allergic to nuance, there is some shred of an emotional arc that arises with the relationship Tupac has with his mother, Afeni Shakur ( Danai Gurira). It functions like a tacky gangster movie of heavy glares and heated confrontations, all while leaning heavily on the “ Julius Caesar”-esque elements of Tupac’s last months. “All Eyez on Me”’s most accomplished factor might be its third act, in which Tupac joins Death Row Records and signs a deal with the devilish Suge Knight ( Dominic L. Even when the narrative framing device of an interview in prison creates exposition out of Tupac debating himself with his interviewee, it’s pithy and cheap. ![]() Aside from hammy moments in which he surveys a concert crowd with a bright spotlight on him, he’s rarely shown simply thinking, considering. This version of Tupac is always doing, in service of presenting all that he did but not so much what was going on on the inside. Demetrius Shipp Jr.’s invested performance of Tupac is reduced to an impersonation, and an essential part of the rapper is underestimated: his mind. There is no air in this movie-the kind of air that turns faces on the big screen into our thoughtful surrogates, regardless as to whether the character is fictional or not. As the editing leaps from one Important Moment to the next, the timeline becomes confusing and bold-faced, underlined emotions never resonate. Moments are flattened, diced and spoken through cliches, like when Tupac defends his teen pregnancy song “Brenda’s Got a Baby” to a couple of white record executives, or when he later realizes that because the world is watching him closely, he should name his album … well, you get it. Boom’s film overzealously hits all of these (unless it’s something that makes Tupac look bad) and compiles them like a greatest hits collection that only features the simple choruses and never the contemplative verses. There are so many fascinating parts to Tupac’s 25 years on Earth: his upbringing in a family of Black Panthers and mostly women his young interest in acting and Shakespeare his ascent in the pop charts as a no-holds-barred storyteller and, of course, the debate about the merit of his obscene lyrics, especially in regards to treatment of women and animosity towards the police. ![]() ![]() ![]() Related: Who Would Make the Roster In an Xbox Smash Bros. It was much more difficult to play, and the controller wasn't intuitive at all, which led to a lot of player frustration. While it wasn't always easy to figure out which way to go in the game, exploration led to intriguing bonuses and Easter Eggs that weren't present in the SNES game.Īladdin also had a sword in the Genesis game, which allowed him to battle his enemies fiercely, rather than jumping on their heads to quash the attack unrealistically. He felt more like a real hero, but a lot of the things that made the Genesis version feel superior were often met with the game's downfalls. Genesis offered more opportunities to explore Agrabah, which wasn't entirely possible in the SNES version because of the game's platformer style. For a lot of the older games inspired by animated films, the plot and design were often so distant from the movie, all that seemed recognizable was the character. Related: Playstation's Wolverine Game Isn't Being Made With Kids In Mind Disney's Aladdin on the Genesisĭeveloped by Sega and Virgin, it can't be denied that the Genesis version of Disney's Aladdin stuck much more closely to the plot of the movie, featuring familiar scenes and moments, as well as those catchy songs that make classic Disney films unforgettable. This also made it a little bit easier to play for younger fans of the film. In many ways, the SNES version felt much more like a platformer than its Genesis counterpart, which led to familiar game experiences for platformer fans. In platformers, the pacing is often everything as the player character travels through their world, leaping through obstacles, exploring hidden crevices, collecting items and jumping on enemy heads to defeat them. Speaking of timing, the pacing of the SNES game was also superior, despite the fact that some levels deviated pretty far from the original plot of the movie. Controlling the character was much smoother, which meant running, leaping and encountering enemies was a lot easier to manage, and the controls system responses were more carefully timed. The SNES version of Aladdin has always had a lot going for it, especially aspects that make the gameplay far superior. In Abu's bonus round, the player controls the little monkey who has to catch bonus items that fall from the sky, but without touching any of the unwanted objects like rocks and pots.Super Nintendo's Aladdin game was designed by Capcom, who was known at the time for creating incredible versions of games based on a number of Disney films. The Genie bonus round is a game of luck played for apples, gems or extra lives, and continues until the player runs out of Genie tokens or lands on Jafar. Finding Genie or Abu icons enables bonus rounds. Next to apples, Aladdin can also collect gems which can be traded for lives and continues from a traveling peddler. He can attack either close range with a scimitar, which can deflect certain projectiles, or long range with a limited supply of apples. ![]() The Sultan's guards and also animals of the desert want to hinder Aladdin in his way. The player controls Aladdin, who must make his way through several levels based on locations from the movie: from the streets and rooftops of Agrabah, the Cave of Wonders and the Sultan's dungeon to the final confrontation in Grand Vizier Jafar's palace. In Abu's bonus round, the player controls the little monkey who has to catch bonus items that fall from the sky, but without touching any of the unwanted objects like rocks and pots. It also received a number of adapted ports for other platforms, such as the NES, Game Boy, Amiga, and DOS computers. The game is one of the best-selling Genesis games with four million copies sold. The game was released by Sega for the Sega Genesis on Novemas one of several games based on the film, including another game that was released in the same month by Capcom for the Super NES. Disney's Aladdin is a platform game based on the 1992 film of the same name developed by Virgin Games and Disney Software. ![]() ![]() ![]() The main battle screen features the players and opponents’ team that can have up to 4 active members on each side. The gameplay of the title fares no better. But the game has no narrative elements, no pacing, and not even a clear plot that can justify any event that happens inside the game. The main quest of the game puts the in-game characters on the mission to find the source of the rot and decay that has started to spread across the world. ![]() Instead of having a strong atmosphere that his franchise is best known for, this spinoff title has a totally normal storyline with very little appeal. ![]() In Five Nights at Freddy's World, players have the ability to control up to 40 characters that are taken from the rich FNAF history and explore a fantasy world that is sadly completely devoid of horror. Sadly, the final product that is presented to the player is weak and disappointing. Instead of delivering to players a traditional horror experience found in the mainline FNAF titles, with first-person gameplay and spooky camera feeds inside the haunted environment full of demonic animatronic characters, this game moves more toward the gameplay seen in the traditional Japanese RPG titles where the player manages a party of characters and engages in tactical turn-based combat. Continued abuse of our services will cause your IP address to be blocked indefinitely.Five Nights at Freddy's World (FNaF World) is a spinoff of the popular horror franchise that tries to acclimate fans to a totally new gaming genre – a turn-based RPG. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
![]() ![]() The American people and the surviving members of the cabinet watch in horror as the country teeters on the brink of disaster. Flames bellow from the Oval Office as armed militia storm one of the most iconic and important symbols of America, shooting anyone in a suit in their path. The bits of humor (shoeless President Sawyer looks into his closet for wingtips and then changes into Air Jordans instead later, he says "the pen IS mightier" when sticking it to a baddie with his presidential fountain pen), the well-choreographed action, and the performances - from the irresistible Tatum, to the fabulous Clarke ( Zero Dark Thirty) and Woods as villains, to Maggie Gyllenhaal as the Secret Service agent trying desperately to help - will make up for this crowd-pleaser's many failings.The White House is under attack. People will laugh when they're not meant to, mostly because it looks like Tatum and Foxx (who, despite what he's said in the press, looks very much like he's doing an impression of an Obama-esque Commander in Chief) are having so much fun. Some movies are so silly you can't help but smile - so ridiculous it doesn't even matter how impeachable the movie is on almost every level, because it's amusing and makes good use of its stars. It's also one of those explosion-filled summer popcorn movies that make you succumb to the charm of its cast, the humor of the dialogue, and the over-the-top sequences of one man defeating a room of machine gun-armed mercenaries. It's completely unoriginal (it's not even the first "White House is taken over" movie of 2013!) and derivative the plot is illogical and the action preposterous (how can not one military-trained armed guard get a shot off, even in a surprise siege?). Judged by the merits of serious filmmaking, the legends of the craft, and the movies that go down in history as being powerful, groundbreaking, or novel, this is a by-the-numbers flop of a thriller. There's absolutely no sex or romance, but there's some language, including a single "f-k you," plus "s-t," "bitch," and "a-hole." Ultimately it's a crowd-pleasing action movie with a well-intentioned but slightly contradictory message involving both peace and the importance of armed defense. A young girl is frequently in danger and is almost killed on a couple of occasions (which ups the movie's intensity level), and the president seems dead. There are a few hand-to-hand combat scenes and a tense hostage situation in which people (some in high levels of the administration) are executed or wounded. Like Independence Day, which was also directed by Roland Emmerich, there's a lot of violence, but most of it is on a grand scale - explosions, helicopters/planes crashing, and deaths the audience doesn't see too up close. Parents need to know that White House Down is a patriotic thriller in the vein of Olympus Has Fallen and Independence Day, in which the country is saved by one brave man with a gun - in this case Channing Tatum.
![]() ![]() The review aggregator website Rotten Tomatoes reported that 89% of critics have given the film a positive review based on 38 reviews, with an average rating of 6.7/10. In its first week of release, it sold 11,940 DVDs and 18,446 Blu-rays, with total estimated sales of $430,000. The film was released in North America on DVD and Blu-ray by Well Go USA entertainment on 23 July 2019.
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